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The Prince
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The Prince (Italian: Il Principe [il ?print?ipe]; Latin: De Principatibus) is a 16th-century political treatise written by Italian diplomat and political theorist Niccol Machiavelli as an instruction guide for new princes and royals. The general theme of The Prince is of accepting that the aims of princes such as glory and survival can justify the use of immoral means to achieve those ends.[1] From Machiavellis correspondence, a version appears to have been distributed in 1513, using a Latin title, De Principatibus (Of Principalities).[2] However, the printed version was not published until 1532, five years after Machiavellis death. This was carried out with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings".[3] Although The Prince was written as if it were a traditional work in the mirrors for princes style, it was generally agreed as being especially innovative. This is partly because it was written in the vernacular Italian rather than Latin, a practice that had become increasingly popular since the publication of Dantes Divine Comedy and other works of Renaissance literature.[4][5] The Prince is sometimes claimed to be one of the first works of modern philosophy, especially modern political philosophy, in which the "effectual" truth is taken to be more important than any abstract ideal. It is also notable for being in direct conflict with the dominant Catholic and scholastic doctrines of the time, particularly those concerning politics and ethics.[6][7]
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DO NOT USE AS IS RUN THRU AI A short treatise on how to acquire power, create a state, and keep it, The Prince represents Machiavelli s effort to provide a guide for political action based on the lessons of history and his own experience as a foreign secretary in Florence. His belief that politics has its own rules so shocked his readers that the adjectival form of his surname, Machiavellian, came to be used as a synonym for political maneuvers marked by cunning, duplicity, or bad faith.
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