Songs of Innocence, and Songs of Experience

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Songs of Innocence and of Experience[1] is a collection of illustrated poems by William Blake. It appeared in two phases: a few first copies were printed and illuminated by Blake himself in 1789; five years later he bound these poems with a set of new poems in a volume titled Songs of Innocence and of Experience Shewing the Two Contrary States of the Human Soul. Blake was also a painter before the creation of Songs of Innocence and Experience and had painted such subjects as Oberon, Titania, and Puck dancing with fairies.

"Innocence" and "Experience" are definitions of consciousness that rethink Miltons existential-mythic states of "Paradise" and "Fall". Often, interpretations of this collection centre around a mythical dualism, where "Innocence" represents the "unfallen world" and "Experience" represents the "fallen world".[2] Blake categorizes our modes of perception that tend to coordinate with a chronology that would become standard in Romanticism: childhood is a state of protected innocence rather than original sin, but not immune to the fallen world and its institutions. This world sometimes impinges on childhood itself, and in any event becomes known through "experience", a state of being marked by the loss of childhood vitality, by fear and inhibition, by social and political corruption and by the manifold oppression of Church, State and the ruling classes. The volumes "Contrary States" are sometimes signalled by patently repeated or contrasted titles: in Innocence, Infant Joy, in Experience, Infant Sorrow; in Innocence, The Lamb, in Experience, The Fly and The Tyger. The stark simplicity of poems such as The Chimney Sweeper and The Little Black Boy display Blakes acute sensibility to the realities of poverty and exploitation that accompanied the "Dark Satanic Mills" of the Industrial Revolution.[3]

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As both painter and poet, William Blake (1757 1827) was a powerful and visionary artist whose two early collections of poetry, Songs of Innocence and Songs of Experience, contain memorable lyric verses embodying the emerging spirit of Romanticism. The two works were published together in 1794 with the subtitle, "Shewing the Two Contrary States of the Human Soul."
The poems of Songs of Innocence describe childhood states of naturalness and purity in delicately beautiful lyrics that reveal a childs unspoiled and beatific view of life and human nature. In Songs of Experience the mood and tone darken, the poems suggesting the bitter corruptions and disillusionment that await the innocent. The contrast between the two sets of lyrics is perhaps at its most acute in the poems "The Lamb" and "The Tyger," the latter ultimately expressing wonderment at the seemingly paradoxical coexistence of good and evil. The full texts of all the poems in the 1794 edition of both collections are included in this volume.

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Songs of Innocence, and Songs of Experience

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